S. Reception Studies and Related Scholarship

Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.

Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.

Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.

Rathert, Wolfgang. “Ives’ Vermächtnis.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday, 5-24. Munich, Germany: Edition Text und Kritik, 2004.

Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.

Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.

Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.

Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.

Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.

McDonald, Matthew. “Ives and the Now.” In Music and Narrative since 1900, edited by Michael L. Klein and Nicholas Reyland, 285-307. Bloomington, IN: Indiana University Press, 2012.