VIII. Dissertations, Theses, and Baccalaureate Essays

Sundell, Steven Lynn. “Charles Ives' use of simultaneity to conflict and blur tonality: the projection of multiple layers of music in "Putnam's camp" and related sources.” M.M. Thesis, University of Wisconsin-Madison, 1973.

Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.

Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.

Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.

Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.

Myers, Betty Dustin. “The Orchestral Music of Charles Ives.” M.M. Thesis, University of Indiana, 1951.

Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.

Wiebe, Michael G. “The use and influence of nineteenth-century campmeeting and revival music in the songs of Charles Ives and Aaron Copland.” M.A. Thesis, Boise State University, 1998.

Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.

Mitchell, Rosanne. “Contributions of Charles Ives to contemporary American song literature.” M.A. Thesis, Texas Woman's University, 1971.