VIII. Dissertations, Theses, and Baccalaureate Essays

Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.

Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.

Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.

Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.

Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.

Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.

Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.

Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.

Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.

Harer, Carolyn Bertha. “Charles Ives and a stylistic analysis of his three piano sonatas.” M.M. Thesis, North Texas State College, 1955.