VIII. Dissertations, Theses, and Baccalaureate Essays

Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.

Jones, Marged. “Compositional techniques with suggested rehearsal strategies for selected choral works of Charles Ives.” M.M. thesis, Kent State University, 1980.

Schemanske, Joyce Anne. “The organ music of William Bolcom as it reflects the musical legacy of Charles Ives.” D. Mus. Thesis, Northwestern University, 1983.

Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.

Gillespie, Matthew D. “Charles Ives: an examination of three songs with some thoughts on multiple perspectives in his works.” M.M. Thesis, East Carolina University, 2004.

Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.

Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.

Hodges, David W. “An analytical study of the songs of Charles Ives.” M.A. Thesis, Central Missouri State College, 1967.

Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.

Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.