VIII. Dissertations, Theses, and Baccalaureate Essays

Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.

Parks, Marty. “Composition in isolation: an historical survey of the religious choral works of Charles Ives.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1983.

Thompson, Bradley L. “A matter of time: a lecture-recital on temporal issues in selected songs of Charles Ives.” D.M.A. Thesis, University of Colorado, 2006.

Rodriguez, Yolanda Maxine. “The influence of Charles Ives on the solo piano music of John Cage.” M.M. Thesis, California State University, Long Beach, 2008.

Banks, Timothy Paul. “Psalm 90 and Harvest home chorales by Charles Ives: a history and performance analysis.” D.M.A. Dissertation, University of Colorado, 1985.

Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.

Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”

McClees, Nancy Susan. “The musical of Charles Ives as applied in his trio for violin and 'cello and piano.” M.A. Thesis, Dominican College of San Rafael, 1971.

Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.

Owren, Betty Ann F. “A study and analysis of selected songs by Charles Ives.” M.A. Thesis, San Jose State University, 1974.