A. Dissertations

Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.

Plinkiewisch, Helen. “A contribution to the understanding of the Music of Charles Ives, Roy Harris and Aaron Copland: a report of a type C project.” D.M.E. diss., Columbia University, 1955.

Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.

Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.

Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.

Theodore, Mary. “The violin and piano sonatas of Charles Ives: a methodical approach to performance with motivic analysis.” D.Mus. Thesis, Arts University of Washington, 2003.

Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.

McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.

Barnettt, Christina Powers. “Charles Ives: 114 Songs and Transcendental Philosophy.” D.M.A. Dissertation, University of Texas at Austin, 1986.

Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.