A. Dissertations

Gilman, Janet Lynn. “Charles Ives - master songwriter: the methods behind his madness.” Ph.D. diss., University of Southern California, 1994.

Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.

Lee, Brian. “Death, determination, and denouement : the musical diversity of Charles Ives's Piano trio.” D.M.A. Dissertation, The Juilliard School, 2004.

Bonham, Robert John. “Some common aesthetic tendencies manifested in examples of pioneer American cabins and Old Harp music and in selected works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.

Groh, Jack. “A conductor's analysis of and preparation and approach to polyrhythms: with particular attention to polyrhythms in certain of the choral works of Charles E. Ives.” D.M.A. diss., University of Missouri-Kansas City, 1978.

Rathert, Wolfgang. “The seen and unseen: Studien zum Werk von Charles Ives.” Ph.D. diss., Freie Universität Berlin, 1987.

Taylor, Paul Franklyn. “Stylistic heterogeneity: the analytical key to movements IIa and IIb from the First Piano Sonata by Charles Ives.” D.M.A. diss., University of Wisconsin-Madison, 1986.

Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.

Ives, Charles. “Essays Before a Sonata.” In Three Classics in the Aesthetic of Music. New York, NY: Dover Publications, 1962.

Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.