A. Dissertations

Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.

Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.

Bruhn, Christopher Edwin. “Ives’s multiverse: the Concord Sonata as American cosmology.” Ph.D. diss., City University of New York, 2006

Preissing, Christopher Andrew. “Intermedical relationships among component arts in combined art works.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2008.

Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.

Rothstein, Evan. “‘What Its Signs of Promise Are’: The tradition of developing variation and the problem of “folkloristic” music in Ives’s First violin sonata. D. Mus. thesis, Indiana University, 2001.

Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.

Buddin, David E. “A few lessons in transformation from Ives' Waltz-Rondo: Litany for orchestra.” Ph.D. diss., Rutgers University, 2006.

Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.

Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.