B. Theses

Misener, Katharine L. “Ives as Innovator? Considerations of Sources, Biography, and Style for His Songs Based on Models.” M.A. thesis, University of Ottawa 2000.

Mullinger, Lisa N. “Nicolas Slonimsky’s Role in the Musical Modernism of the Early Twentieth Century.” M.M. thesis, University of Kansas, 2013.

Glasson, Brendan. “An Equilibrium of Moments: Change and Stillness in Multimedia Artworks.” M.F.A. thesis, Mills College, 2018.

Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.

Stout, Andrew H. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.

Stout, Andrew. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.

Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.

Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.

Myers, Eric. “The Crooked Mirror: New Temporalities in Ives, Mes-siean, and Feldman.” M.A. thesis, Mills College, 2003.

Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.