B. Theses

Wiens, Carl K. “Structural organization in selected songs from Charles Ives's 114 songs.” M.A. thesis, McGill University, 1992.

McCalla, James. “Structural and harmonic innovations in the music of Schoenberg, Stravinsky and Ives prior to 1915.” M.M. thesis, New England Conservatory of Music, 1973.

Mehl, Kenneth B. “A stylistic analysis and comparison of four settings of Psalm 150: Franck, Bruckner, Ives and Hanson.” M.M. thesis, Southern Illinois University Edwardsville, 1974.

Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.

Muennich, Rose Marie. “The music of Ives, borrowed or not.” M.M. thesis, Michigan State University, 1976.

Myers, Eric. “The cracked mirror: new temporalities in Ives, Messiaen and Feldman.” M.A. thesis, Mills College, 2003.

Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.

Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.

Jensen, Diane M. “A study of ragtime elements found in selected works of Charles E. Ives.” M.M. thesis, University of Nebraska-Lincoln, 1980.

Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.