B. Theses

Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.

Wiley, Joan Mary. “A comparative analysis of Charles E. Ives' "First Sonata" and "Sonata No. 2”.” M.A. thesis, California State University, 1981.

So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.

Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.

Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.

Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.

Vulpi, Frank. “Charles Ives’ Concord Sonata: transcendental unity and mechanic form.” M.A. thesis, Ohio State University, 1982.

Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.

Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.

Lacny, Catherine. “Charles Edward Ives, 1874-1954: a biographical sketch and a treatise of the relationship between his political philosophy and his musical innovations.” M.A. Thesis, Rosary College, 1976.