X. Editing Practices and Articles Regarding Published Editions

Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, Central Park in the Dark, edited by John Kirkpatrick and Jacques- Louis Monod, 32. Hillsdale, NY: Boelke- Bomart, 1973.

Kubik, Gail T. “Review of New Music Editions.” Musical Leader. March 28, 1936.

Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.

Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.

Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.

Yellin, Victor Fell. “Review of The Celestial Country by Charles Ives.” Musical Quarterly LX, (July 3, 1974): 500-508.

Walker, Ernest. 1921. “Review of Second Pianoforte Sonata, ‘Concord, Mass., 1840--1860’ and Essays Before a Sonata, by Charles Ives.” Music & Letters 2, no. 3: 287-288.

Magee, Gayle Sherwood. 2005. “Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock.” Institute for Studies in American Music Newsletter 34, no. 2 (Spring 2005): 11, 15.

Massey, Drew. “The Problem of lves’s Revisions, 1973-1987.” Journal of American Musicological Society 60, no.3 (Fall): 599-645.

Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.