IV. Individual Studies by Genre

Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.

Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.

Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.

“Concord.” Birmingham Age-Herald (October 14, 1927).

Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.

“On conducting and performing Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.

Schorske, Carl. “Mahler et Ives: Archaisme populiste et innovation musicale.” In Colloque Internationale Gustav Mahler 1985, 87-97. Paris, France: Société Gustav Mahler, 1986.

Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.

Burk, James. “The Wind Music of Charles Ives.” The Instrumentalist, October 1969.

Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.