IV. Individual Studies by Genre

Gilman, Lawrence. “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune. January 31, 1927.

Sinclair, James B. Liner notes for The Orchestral Music of Charles Ives. Premieres and New Ives Society Critical Editions, Orchestra New England. Koch International Classics, 3-7025-2, 2000, CD.

Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.

Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.

Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.

Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.

Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.

Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.

Shirley, Wayne D. Preface. In Charles E. Ives, The Fourth of July: Third Movement of A Symphony: New England Holidays, iii--vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.

Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.