IV. Individual Studies by Genre

Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.

Ives, Charles. “Ives’s Program Note.” In The Fourth of July: Third Movement of A Symphony: New England Holidays, edited by Wayne D. Shirley, vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.

Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.

Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.

Bellamann, Henry. Program Notes to Ives's Fourth Symphony. Pro Musica Concert, January 29, 1927.

Shirley, Wayne. “Once More through The Unanswered Question.” Institute for Stud-ies in American Music Newsletter 18/2 (May 1989): 8-9, 13.

Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.

McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.

Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.

Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.