IV. Individual Studies by Genre

Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.

Beal, A.C. “Why We Sing”: David Mahler’s Communities.” Journal of the Society for American Music, Vol. 7, No. 1 (2013): 1-28.

Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.

Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.

Orr, N. Lee. “Research Report.” Choral Journal, Vol. 37, No. 3 (1996): 49-52.

Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.

Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.

Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.

Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.

Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.