IV. Individual Studies by Genre

Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.

Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.

Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.

Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.

“Aus den Diözesen: Wien.” Singende Kirche: Zeitschrift für Katholische Kirchenmusik, Vol. 52, No. 3 (2005): 173-174.

Denk, Jeremy. “Flight of the Concord; Personal History.” The New Yorker, Vol. 87, No. 47 (2012): 24-29.

Treybig, Joel. “Understanding “The Unanswered Question.”” ITG Journal: The International Trumpet Guild, Vol. 31, No. 3 (2007): 32-35, 46.

Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.

Josephson, Nors S. “Besprechungen: Ulrich Maske: Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” Die Musikforschung, Vol. 27, No. 4 (1974): 490.

Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.