IV. Individual Studies by Genre

Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.

Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.

Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.

Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.

Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.

Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.

Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.

Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.

Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.

Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.