IV. Individual Studies by Genre

Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.

Karp, T. “Charles Ives’s Book of 114 songs.” In A Musical offering: essays in honor of Martin Bernstein, edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977.

Downes, Edward. “Charles Ives.” In Guide to symphonic music. New York, NY: Walker, 1981.

McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.

Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.

Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.

Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.

Shirley, Wayne D. ““The second of July”: a Charles Ives draft considered as an independent work.” In A Celebration of American music: words and music in honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja, 391-404. Ann Arbor: University of Michigan Press, 1990.

Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.

Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.