C. Keyboard Works

Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.

Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.

Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.

Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.

Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.

Fisher, Fred. “Ives's Concord Sonata.” Piano Quarterly 92 (1975-1976): 23-27.

Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.

Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.

Sykes, James. “Program Notes on the Shorter Piano Pieces of Charles Ives.” Liner notes for The Short Piano Pieces of Charles Ives. Folkways FM 3348, 1964, 33.3 RPM.

Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.