VI. Topical Studies

Hickman, Larry A., ed. “The Deweyan Aesthetic of Charles Ives.” In The continuing relevance of John Dewey: reflections on aesthetics, morality, science, and society. Amsterdam, Netherlands: Rodopi, 2010.

Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.

Weyer, Waldo, and Bertha Spies. “‘Music is Life’ – the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” The Journal for Transdisciplinary Research in Southern Africa, vol. 3, no. 2 (2007): e1-e40.

Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.

Osmond, Susan. 2004. “Charles Ives, America’s Musical Visionary.” The World & I 19: 72.

Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.

Tanner, Michael. “Classical: Lili and Nadia Boulanger/ Charles Ives.” The Spectator (2019).

Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.

Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.

Charles, Daniel. “Emerson Selon Charles Ives.” Critique: Revue Générale Des Publications Françaises Et Étrangères (1992): 513.