VI. Topical Studies

Krejmer, Lorens. ““Au–delà d’une Musique Informelle”: Nostalgia, Obsolescence and the Avant-Garde.” Muzikologija, no. 6 (2006): 43-62.

“The Charles Ives Center for the Arts.” Fairfield County Business Journal, vol. 43, no. 29 (2004): 30.

Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.

Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.

Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.

Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.

Hair, Ross. “‘Local Color’: Ronald Johnson, Charles Ives, and America.” Comparative American Studies an International Journal: Idea of Influence in American Literature, vol. 9, no. 2 (2011): 131-145.

Horowitz, Joseph. “Mark Twain, Charles Ives, and the Uses of Vernacular Intelligence.” Raritan: A Quarterly Review, vol. 38, no. 3 (2019): 143-164.

Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.

Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.