VI. Topical Studies

Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.

Emerson, Ralph Waldo. “Quotation and Originality.” Complete Works of Ralph Waldo Emerson. Boston/New York: Houghton Mifflin, 1903. Vol-ume 8: 201: Letters and Social Aims.

Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.

Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.

Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.

Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.

Owens, Tom. “Concord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives's Music.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.

Paul, David C. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59/2 (Summer 2006): 399--457.

McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.

Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.