VI. Topical Studies

Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.

Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.

Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.

“The Deep Structures of Charles Ives: Mental, Environmental, and Sentimental.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.

Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).

Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.

Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.

Tawa, Nicholas E. “Amy Beach and Charles Ives.” In From Psalms to Symphony: A History of Music in New England, 213-226. Boston, MA: Northeastern University Press, 2001.

Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.

Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.