VI. Topical Studies

Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.

Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.

Ross, Alex. “The Harmonist.” The New Yorker 76/41 (January 8): 40-46.

Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.

Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.

Browning, J. Robert. “‘My God, What Has Sound Got to Do with Music?’ Interdisciplinarity in Eliot and Ives.” In T. S. Eliot’' Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper, 195-214. New York, NY: Garland Press, 2001.

Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.

Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.

Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.

DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.