VI. Topical Studies

Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.

Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.

von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.

Feith, Michel. “Commemoration: Translation or Betrayal? Saint Gaudens, Ives, Lowell (Shaw Memorial, ‘For the Union Dead,’ ‘Charles Ives’ ‘Three Places in New England’).” Revue Française d’Études Américaines
80 (March 1999): 69-81.

Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.

Crystal Brian. “‘To Be Quiet and Listen’: The Orphans’ Home Cycle and the Music of Charles Ives.” In Horton Forte: A Casebook, edited by Gerald C. Wood, 89-108. Garland Reference Library of the Humanities: Case- books on Modern Dramatists. New York, NY: Garland Press, 1999.

Bassi, Adriano. “Da Gershwin ad Ives nell’America del ‘900.” Ras- segna musicale curci quadrimestrale 51 (May 1998): 33--35.

Inaugural Celebration of the Classical Music Hall of Fame. Music Hall, Cincinnati, Ohio, May 24, 1998.

Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.