VI. Topical Studies

“Ives and Yale: The Enduring Influence of a College Experience.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale [Keynote Address].” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.

Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.

Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.

Kostelanetz, Richard. John Cage (ex)plain(ed), 8. New York, NY: Schirmer Books, 1996.

Karolyi, Otto. Modern American Music from Charles Ives to the Mini-malists, 9-20. Teaneck, NJ: Fairleigh Dickinson University Press, 1996.

Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.

Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.