E. Comparisons and Relationships with Other Composers, Artists, and Writers

“Associacion Panamericana de Compositores." Musicalia [Havana] 1/1 (May--June): 29-30.

Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.

Malloch, William. “More Stravinsky by Stravinsky—And Ivesian Explorations.” High Fidelity 10, no. 8 (August 1966): 12, 15, and 18.

Kramer, Lawrence. “A Completely New Set of Objects.” In Music and Poetry: The Nineteenth Century and After, 171-202. Berkeley, CA: University of California Press. 1984.

Roy, Klaus George. “Copland Harvard Talk.” The Christian Science Monitor, March 20, 1952, 4.

Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.

Brant, Henry. “Space as an Essential Aspect of Musical Composition.” In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.

Kolodin, Irving. “Ives by His Prophet. Bernard Herrmann.” The Saturday Review 55, no. 37 (September 9, 1972): 57-58.

Small, Christopher. “Words on Music—Ives and Varese.” Music in Education 37/362 (1973): 187-188.

Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.