E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.

Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.

Gann, Kyle. “Interlude M: Some Quarter-Tone Impressions (Hába, Ives, Wyschnegradsky).” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 218-225. Urbana, IL: University of Illinois Press, 2019.

Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.

Herzfeld, Gregor. “Nancarrows Erhabene Zeitspiele.” Archiv Für Musikwissenschaft, vol. 64, no. 4 (2007): 285-305.

Andrew Love. “Improvising Their Future: Shamanic Hope in Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen.” Tempo, vol. 60, no. 237 (2006): 24-32.

“Machado and the Spectacle of the World.” In Machado De Assis: A Literary Life, by K. David Jackson, 281-300. New Haven, CT: Yale University Press, 2015.

Hall, Fred M. “Time to Expand Horizons.” In It's About Time: The Dave Brubeck Story, 126-142. Fayetteville, AR: University of Arkansas Press, 1996.

Botstein, Leon. “Copland Reconfigured.” In Aaron Copland and His World, edited by Carol J. Oja and Judith Tick, 439-484. Princeton, NJ: Princeton University Press, 2005.

Stout, Jesseca. “‘Swinging Sound of Cymbals’: Symphonic Form in ‘A Winter Walk.’” The Thoreau Society Bulletin, no. 292 (2016): 1-2.