E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliott. “Elliott Carter (1908).” Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 42-44. Woodbridge, United Kingdom: Boydell and Brewer, 2011.

Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.

Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.

Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.

Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.

Fricke, Stefan, and Hans G. Helms. “Von Ives Lernen... Stefan Fricke Im Gespräch Mit Hans G. Helms.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 22-25.

Fürst-Heidtmann, Monika. “Reflektierte Eigenständigkeit: Der Pianist, Musikschriftsteller Und -Forscher Herbert Henck.” Neue Zeitschrift Für Musik, vol. 163, no. 6 (2002): 30-33.

Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 186-190. Berkeley, CA: University of California Press, 2009.

Kramer, Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal, vol. 2, no. 3/4 (1978): 3-15.

Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.