E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.

Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.

Schwarz, Boris. “Schoenberg—und Ives—Tagunen in den USA.” Österreichische Musikzeitschrift 30 (January-February 1975): 67-68.

Schwartz, Elliott. “Directions in American Composition Since the Second World War: Part I—1945-1960.” Music Educator’s Journal 61/6 (February 1975): 29-39.

Schiff, David. The Music of Elliot Carter, 17-19 and passim. London, United Kingdom: Eulenberg Books, 1983.

Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.

Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.

Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.

Manfred, Frederick. “Ives and Faulkner.” Student Musicologists at Min-nesota 6 (1975-76): 1-4.

Liebenau, Horst. “Bernhard Herrmanns Filmmusik fur Psycho.” Musikpädagogische Forschungsherichte 1993: 356-369.