
Bibliography
Genres
Avila, Joseph D.
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Brodhead, Thomas M.
Cahill, Greg
U. Institutions and Ives’ Legacy
Charles, Eleanor
U. Institutions and Ives’ Legacy
Charles Ives Society
Eichler, Jeremy
U. Institutions and Ives’ Legacy
Gann, Kyle
Hitchcock, H. Wiley, ed.
Hutton, Edna Rait
U. Institutions and Ives’ Legacy
Kirkpatrick, John, ed.
Leeuw, Reinbert de
U. Institutions and Ives’ Legacy
Noroa, Daniel Quiroga
U. Institutions and Ives’ Legacy
Rothstein, Edward
U. Institutions and Ives’ Legacy
Sanders, Donald
U. Institutions and Ives’ Legacy
Schuman, William
A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.
U. Institutions and Ives’ Legacy
Sherman, R.
U. Institutions and Ives’ Legacy