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Bibliography

Genres

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(-) I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Helms, Hans G.

Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Henahan, Donal

Year: 1970
Complete Citation:
Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.
Notes:

“Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1986
Complete Citation:
Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.
Source: Newspaper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1988
Complete Citation:
Henahan, Donal. “Did Ives Fiddle With the Truth?”- The New York Times, February 21, 1988.
Source: Newspaper
VI. Topical Studies
C. Chronology
Year: 1990
Complete Citation:
Henahan, Donal. “The Polysided Views of Ives’s Polytonality.” The New York Times. June 10, 1990.
Source: Newspaper
VI. Topical Studies
F. Polytonality

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1981
Complete Citation:
Henahan, Donald. “Wave Your Banner! Sound Your Trumpet! (If You Want Your Favorite Composer to Achieve Immortality and Become the Next Mahler or Ives).” The New York Times, February 8, 1981, sec. 2, 1, 25.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Henck, Herbert

Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Henderson, Clayton W.

Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henerson, Clayton Wilson

Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Hepokoski, James

Year: 1994
Complete Citation:
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Herchet, Jorg

Year: 1993
Complete Citation:
Herchet, Jorg. “Polifonia es tarea.” Translated by Rutilo Silva. Pauta: Cuadernos de teoria y critica musical 12/46 (April-June 1993): 62-68.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Herrmann, Bernard

Year: 1932
Complete Citation:
Herrmann, Bernard. “Charles Ives.” Trend 1/3 (September-November, 1932): 99-101.
Source: Journal
Reprints:

<a target="_blank" href="http://www.uib.no/herrmann/articles/archive/trend/">Available online at “The Bernard Herrmann Society: Charles Ives” [www.uib.no/herrmann/articles/archive/trend/].</a&gt;

VI. Topical Studies
P. Ives Collaborators and Colleagues

Hertz, David Michael

Year: 1993
Complete Citation:
Hertz, David Michael. Angels of reality: Emersonian unfoldings in Wright, Stevens, and Ives. Carbondale, IL: Southern Illinois University Press,1993.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hertz, David Michael, Thomas Dumm, Barbara Packer, panelists

Year: 1996
Complete Citation:
Hertz, David Michael, Thomas Dumm, Barbara Packer. “Transcendentalism and the Arts in America [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy

Herzfeld, Gregor

Year: 2007
Complete Citation:
Herzfeld, Gregor. “Nancarrows Erhabene Zeitspiele.” Archiv Für Musikwissenschaft, vol. 64, no. 4 (2007): 285-305.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2015
Complete Citation:
Herzfeld, Gregor. “Tod und Trauer als Narrative neuer Musik: Erinnerungsmusik von Charles Ives, Morton Feldmann und John Adams.” In Musik und Narration: philosophische und musikästhetische Perspektiven. Bielefeld, Germany: Transcript, 2015.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers