Schubert, Giselher
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2005
Complete Citation:
Schubert, Giselher. “Komponieren als Musikmachen: Notizen zu den Violinsonaten von Charles Ives.” In Verflechtungen im 20. Jahrhundert : Komponisten im Spannungsfeld elitär - populär, 131-145. Mainz, Germany: Schott, 2005.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Schuld, Diana Boe
Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.Source: M.A. Thesis
B. Theses
Schuller, Gunther
Year: 1970
Complete Citation:
Schuller, Gunther. Jacket notes for “Calcium Light Night.” Columbia MS 7318, 1970.Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schulz, Thomas
Year: 1990
Complete Citation:
Schulz, Thomas. “An Election oder Nov. 2, 1920: Ein politisches Lied von Charles E. Ives.” Musica 44/6 (November-December 1990): 367-370.Source: Journal
IV. Individual Studies by Genre
E. Songs
Schuster, Claus-Christian
Year: Year unlisted
Complete Citation:
Schuster, Claus-Christian. “Charles Edward Ives: Trio.” Altenberg. Webpage no longer active.Source: Online Resource
IV. Individual Studies by Genre
B. Chamber Works
Schwarm, Betsy
Year: 2019
Complete Citation:
Schwarm, Betsy. “Three Places in New England.” Encyclopædia Britannica, 2019.Source: Encyclopedia Article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sear, H. G.
Year: 1951
Complete Citation:
Sear, H. G. “Charles Ives, Song Writer.” Monthly Musical Record 81 (1951): 34-42.Source: Journal
IV. Individual Studies by Genre
E. Songs
Sear, H.G.
Year: 1951
Complete Citation:
Sear, H.G. “Charles Ives: Song-Writer.” Monthly Musical Record (February 1951).Source: Journal
IV. Individual Studies by Genre
E. Songs
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Serebrier, José
Year: 1975
Complete Citation:
Serebrier, José. “The ‘Unplayable’ Fourth Symphony of Ives.” American Music Teacher, vol. 24, no. 3, (1975): 8-10.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI: Many Worlds of Music 4 (1984): 36-37.Notes: Reminisces about the premiere and subsequent perfor-mances of Symphony No. 4.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shepherd, Arthur
Year: 1953
Complete Citation:
Shepherd, Arthur. “American Orchestral Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 1-14. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sherwood, Gayle
Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
