Image
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.
Bibliography
Genres
Rorem, Ned
Year: 1968
Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosenfeld, Paul
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.Source: Magazine, Book
Reprints:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.Source: Journal
Reprints:
Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ross, Alex
Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.Notes:
<a target="_blank" href="http://www.therestisnoise.com/2004/05/charles_ives.html">Avail-able at http://www.therestisnoise.com/2004/05/charles_ives.html.</a>
Source: Web Content/Blog
Reprints:
Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.Notes:
Several other references. Uses the misquotation of Schoenberg (132) {B0290}.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Ross, Alex and Laurent Slaars
Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Rossi, Nick
Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.Notes:
Includes discussion and anal-ysis of second movement of Symphony No. 4.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Rostkowski, David
Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Round, Michael
Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rummenhöller, Peter
Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Saffle, Michael, ed.
Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Salzman, Eric
Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Scherer, Barrymore Laurence
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schoffman, Nach’m
Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Scholz, Gottfried
Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.Notes:
Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schönlau, Stephan
Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.Source: Lecture
Reprints:
Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schubert, Giselher
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works