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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Frankenstein, Aflred

Year: 1962
Complete Citation:
Frankenstein, Alfred. “Ives’ Concord Sonata—A Great Day for American Music.” ACA Bulletin, Special Commemorative Issue, Vol. 10, No. 2, (May 1962).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Freed, R.

Year: 1976
Complete Citation:
Freed, R. “Songs of Charles Ives: A Listening Experience One is as Eager to Share as to Report.” Stereo Review 37 (September 1976): 86.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Friedberg, Ruth C. and Robin Fisher

Year: 2012
Complete Citation:
Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Gaede, Annemarie

Year: 1986
Complete Citation:
Gaede, Annemarie. “Analyse der Concord Sonate von Charles. Hausarbeit zur Staatlichen Prüfung für Musikschullehrer und selbständige Musiklehrer.” Term paper, Staatliche Hochschule für Musik Rheinland, 1986.
Notes:

Betreut von Prof. Jecker und Prof. Löbner.

Source: Academic Paper
IV. Individual Studies by Genre
C. Keyboard Works

Gail, Dorothea

Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.
Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works

Gann, Kyle

Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Gardner, Kara Anne

Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works

Ghandar, Ann

Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Notes:

Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Giebisch, Thomas

Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Gilday, Edward F.

Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.
Notes:

A description of the song The Greatest Man to accompany the article. Included a recording.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gillespie, John

Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.
Notes:

One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”

Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works

Goleeke, Thomas

Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.
Source: Book
IV. Individual Studies by Genre
E. Songs

Gollin, Rita K.

Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goodman, John

Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goudie, Andrea

Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Graddy, Julia H.

Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Green, Douglass M.

Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs