Image
Complete Citation:
Kimball, Carol. “Charles Ives (1874-1954).” In A guide to art song style and literature. Milwaukee, WI: Hal Leonard, 2006.
Bibliography
Genres
Kimball, Carol
Year: 2006
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Kirkpatrick, John
Year: 1968
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.Source: Score
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.Notes:
Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.
Source: Lecture
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1983
Complete Citation:
Kirkpatrick, John. 1983. “Commentary.” In Charles Ives, I Come to Thee: SATB with Organ, edited by John Kirkpatrick. New York, NY: Associated Music Publishers.Source: Commentary to score
D. Choral Works
Koch, Gerhard R.
Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Kraft, Leo
Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Kumlien, Wendell C.
Year: 1974
Complete Citation:
Kumlien, Wendell C. “The Music for Chorus.” Music Educators Journal 61/2 (1974): 48-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Lamb, Gordon H.
Year: 1974
Complete Citation:
Lamb, Gordon H. “Charles Ives 1874-1954.” Choral Journal 15/2 (October 1974): 12-13.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1975
Complete Citation:
Lamb, Gordon H. “Charles Ives: The Man and His Music Interview with Robert Shaw.” Choral Journal 15, no. 8 (April 1975).Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1975
Complete Citation:
Lamb, Gordon H. “Charles Ives: The Man and His Music. Interview with Robert Shaw.” Choral Journal 15/8 (April 1975): 5-7.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Lerch, Louise
Year: 1996
Complete Citation:
Lerch, Louise. “Music “Reviews: “Forty Earlier Songs,” by Charles E. Ives, edited by John Kirkpatrick.”” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 53, No. 1 (1996): 55.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Mauldin, Walt
Year: 1991
Complete Citation:
Mauldin, Walt. “The Influence of Gregg Smith on Twentieth-Century Choral Literature as a Composer and Conductor.” The Bulletin of Historical Research in Music Education 12/2 (1991): 83-99.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
McCray, James
Year: 1996
Complete Citation:
McCray, James. “Music for Voices and Organ: Psalm 14.” The Diapason, Vol. 87, No. 1 (1996): 8.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes:
Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Meyer, Felix
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Miller, Kenneth E.
Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.Notes:
Discusses When Stars Are in the Quiet Skies.
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Murphy, Scott
Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs