Salzman, Eric
Year: 1969
Complete Citation:
Salzman, Eric. “The Revolution in Music.” New American Review 6 (Spring 1969): 76-96.Notes: A passing mention of Ives and his Universe Sym-phony.
Source: Journal
Reprints: <i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 455--471. New York, NY: Charles Scribner’s, 1972.
V. General Music Studies
Saminsky, Lazare
Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.Source: Book
Reprints: Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.
V. General Music Studies
C. Other
Sarette, Gregory L.
Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Saxena, Shalini
Year: 2014
Complete Citation:
Saxena, Shalini. “Charles Ives.” In Top 101 Musicians. New York, NY: Rosen Publishing, 2014.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Schans, Peter J.
Year: 1955
Complete Citation:
Schans, Peter J. “More about Charles Ives.” MONY Talks 14/7 (April 1955) 14/7: 8, 9, 15.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Schermer, Richard
Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Schiff, David
Year: 1997
Complete Citation:
Schiff, David. “The Many Faces of Ives.” Atlantic Monthly 279/1, January 1997, 84-87.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford
Year: 1996
Complete Citation:
Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford. “Ives the Person [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Charles E. Ives: 1874-1954.” The Yale Review 44 (Summer, 1955).Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Schueneman, Bruce R.
Year: 2002
Complete Citation:
Schueneman, Bruce R. Review of The Classical Music Experience: Hear and Discover the Sounds and Stories of Forty-Two Great Composers, by Julius H. Jacobson II. Library Journal 127, no. 16 (October 1 2002): 96.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Schuld, Diana Boe
Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.Source: M.A. Thesis
B. Theses
Scott, Fred
Year: 1974
Complete Citation:
Scott, Fred. “Ives.” The Washington Post, October 14, 1974, B7.Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sherwood, Gayle
Year: 2001
Complete Citation:
Sherwood, Gayle. “Charles Ives and ‘Our National Malady.’” Journal of the American Musicological Society 54/3 (Fall 2001): 555-584.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Shulman, Ivan
Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Siegmeister, Elie
Year: 1943
Complete Citation:
Siegmeister, Elie. “Charles Ives.” In The music lover’s handbook. New York: William Morrow and Company, 1943.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1973
Complete Citation:
Siegmeister, Elie. The new music lover’s handbook. Irvington-on-Hudson, NY: Harvey House, Inc., 1973.Source: Book
V. General Music Studies
C. Other