Image
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.
Bibliography
Genres
Galt, Martha Caroline
Year: 1943
Source: Book
Reprints:
Ithaca, NY: National Federation of Music Clubs, 1945.
VI. Topical Studies
L. Ives and America
L. Ives and America
Gammond, Peter
Year: 1994
Complete Citation:
Gammond, Peter. “Ives, Charles Edward.” In Classical Composers. New York, NY: Crescent Books, 1994.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Gann, Kyle
Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.Notes:
Cites the story from Milton Babbitt that Ives was not a professional composer.
Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.Notes:
Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].
Source: Newspaper
VI. Topical Studies
V. Awards
V. Awards
Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2019
Complete Citation:
Gann, Kyle. “Interlude M: Some Quarter-Tone Impressions (Hába, Ives, Wyschnegradsky).” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 218-225. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Garber, J. Ryan
Year: 1996
Complete Citation:
Garber, J. Ryan. “The Influence of George Ives on His Son Charles.” Clas-sical Music Pages Quarterly (June 1996).Notes:
<a target="_blank" href="http://www.ryangarber.com/ives.html">Available at http://www.ryangarber.com/ives.html. </a>
Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Garda, Michela
Year: 2011
Complete Citation:
Garda, Michela. “Gregor Herzfeld: “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Il Saggiatore Musicale, Vol. 18, No. 1-2 (2011): 385-387, 392.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gardner, John
Year: 1967
Complete Citation:
Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Garland, Peter
Year: 1982
Complete Citation:
Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.Notes:
In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).
Source: Section in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Garland, Peter, ed.
Year: 1974
Complete Citation:
Garland, Peter, ed. “Soundings: Ives, Ruggles, Varèse.” Soundings Magazine, January 1, 1974.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Garland, Peter (editor)
Year: 1987
Complete Citation:
Garland, Peter, ed. “Charles Ives: Notes for Lou Harrison (1947).” In A Lou Harrison Reader, 20-28. Santa Fe, NM: Soundings Press, 1987.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Geiger, Loren
Year: 1969
Complete Citation:
Geiger, Loren. “More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Gerstein, Mordecai
Year: 2002
Complete Citation:
Gerstein, Mordecai. What Charlie Heard. New York: Frances Foster, 2002.Source: Book
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Geselbacht, Raymond H.
Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America