Bibliography

no author listed

Year: 1974

Complete Citation:

Galkin, Elliot W. “Two Prophets of Music Recognized at Last.” The Sun, October 13, 1974, D3.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1976

Complete Citation:

“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.

Source: Newspaper

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Year: 1976

Complete Citation:

Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.

Source: Newspaper

XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Year: 1978

Complete Citation:

“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.

Source: Journal

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 1979

Complete Citation:

October 23, 1979. (Hallowe’en): New York. Telecast over WNET as Peter Martins, Principal Dancer.
1980 February 20: WNET's Dance America Series. See also Jennifer Dunning. "Venturing Out to the Limits of Part-nering." New York Times (1998 June 13) B: 7.

Source: Telecast

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Year: 1980

Complete Citation:

“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.

Source: Newsletter

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 1985

Complete Citation:

“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.

Source: Newspaper

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 1987

Complete Citation:

“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1988

Complete Citation:

“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).

Notes:

Labanotated

Source: Journal

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Year: 1988

Complete Citation:

“Stages of Life, from Ives and the City Ballet: Nassau and Suffolk Edition.” Newsday, February 6, 1988.

Source: Newspaper

XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Year: 1989

Complete Citation:

Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.

Prf: 1989 May 19-14: New York; Joyce Theater.

Source: Performance (dance)

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Year: 1991

Complete Citation:

“Up Front.” Musical America (1991).

Notes:

Regarding a bill in the Connecticut Legislature to name Charles Ives as State Composer of Connecticut. After debate, Ives was named Composer Laureate for the first year.

Source: Journal

VI. Topical Studies
V. Awards

Year: 1991

Complete Citation:

“Notes for Notes.” Notes 48/2 (1991): 449.

Notes:

Tells of a $99,619 grant to the Charles Ives Society from the National Endowment for the Humanities for a thematic catalogue.

Source: Journal

VI. Topical Studies
V. Awards

Year: 1993

Complete Citation:

“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.

Source: Newspaper

VI. Topical Studies
N. Ives’ Childhood

Year: 1994

Complete Citation:

“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.

Source: Letter

VI. Topical Studies
M. Ives and Manhattan

Year: 1994

Complete Citation:

“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1994

Complete Citation:

“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.

Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1995

Complete Citation:

Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1996

Complete Citation:

“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.

Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1997

Complete Citation:

Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bibliography

Genres

no author listed