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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Blum, Robert Stephen

Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Stephen

Year: 1976
Complete Citation:
Blum, Stephen. Review of Charles Ives and His America, by Frank R. Rossiter. The Musical Quarterly 62 (October 1976): 597-603.
Source: Journal
Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blume, Friedrich

Year: 1975
Complete Citation:
Blume, Friedrich. Epochen der Musikgeschichte. Munich, Germany: Deutscher Taschenbuch Verlag, 1975.
Source: Book
VII. Entries in Larger Volumes
D. Other

Blyth, Alan

Year: 1966
Complete Citation:
Blyth, Alan. “Pop Celebration.” Music and Musicians 15, No. 2 (October 1966): 42.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Boardman, Katherine R.

Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.
Notes:

Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.

Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Boatwright, Howard

Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.
Notes:

B.A. thesis in graphic arts

Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Boatwright, Howard. “The Songs.” Music Educators Journal, vol. 61, no. 2 (1974): 42-47.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1974
Complete Citation:
Boatwright, Howard. “The Songs.” Music Educator’s Journal 61/2 (Octo-ber 1974): 42-47.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1979
Complete Citation:
Boatwright, Howard. “Vocal and Choral Music by C. Ives.” Notes 35, no. 3 (March 1979).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Boatwright, Howard. “Reviewed Work: Sunrise, for Voice, Violin and Piano by Charles Ives, John Kirkpatrick.” Notes 35, no. 3 (March 1979): 729-730.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Boatwright, Howard. “Reviewed Work: Sunrise, for Voice, Violin and Piano by Charles Ives, John Kirkpatrick.” Notes 35, no. 3 (March 1979): 729-730.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Boatwright, Howard. “Charles Ives: Sunrise.” Notes XXXV (March 1979): 729-730.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Boissard, Bertrand

Year: 2014
Complete Citation:
Boissard, Bertrand. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2014): 91-92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bolcolm, William

Year: 1988
Complete Citation:
Bolcolm, William. “Of Ives, Music and Insurance.” The New York Times, March 13, 1988.
Source: Newspaper
VI. Topical Studies
D. Insurance