Betz, Marianne
Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Biebel, Mary T.
Year: 2008
Complete Citation:
Biebel, Mary T. “Paying Homage to American Melodies.” McClatchy - Tribune Business News, May 9, 2008.Source: Newspaper
Binder, Daniel A.
Year: 2005
Complete Citation:
Binder, Daniel A. “The Social, Political, and Religious Views of Charles Ives as Found in His Songs.” Paper presented at the College Music Society's Great Lake Chapter Meeting. Western Kentucky University, Bowling Green, Kentucky, April 1, 2005.Notes: Assisted by Lawrence T. Sisk and Donald Zent.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Bird, Liz
Year: 1996
Complete Citation:
Bird, Liz. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Brio 33/1 (Spring-Summer 1996): 74.Source: Journal
III. Book-Length Studies
C. Book Reviews
Birkby, Arthur
Year: 1974
Complete Citation:
Birkby, Arthur. “Ives, the Organist.” Clavier 13/7 (1974): 29-30.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
Black, Leo
Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson: with a note on Charles Ives.” In BBC music in the Glock era and after: a memoir, edited by Christopher Wintle and Kate Hopkins. London, United Kingdom: Cosman Keller Art and Music Trust: in association with Plumbago Books; Rochester, NY: Distribution, Boydell & Brewer, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Black, Phillip C.
Year: 2012
Complete Citation:
Black, Phillip C. “Reviews - Tuba Ensemble: “Variations on ‘America’,” by Charles Ives, arranged for tuba quartet by Tim Ott and Bryan Doughty.” ITEA Journal, Vol. 39, No. 2 (2012).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Blake, Andrew
Year: 1996
Complete Citation:
Blake, Andrew. Review of Charles E. Ives, by Leo Schrade. History: The Journal of the Historical Association 83/272 (1998): 686.Notes: Claims that Ives was adopted as “a national musical mascot during Amer-ica’s great patriotic moment of the early 1940s.”
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Blake, Andrew. “Charles Ives and His World.” History, vol. 83, no. 272 (October 1998): 686.Source: Journal
III. Book-Length Studies
C. Book Reviews
Blanding, Thomas
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Blangger, Tim
Year: 2001
Complete Citation:
Blangger, Tim. "Buckner Boosts Stock of Charles Ives: First Edition." The Morning Call, March 21, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Blangger, Tim. “Baritone Hopes People Embrace, Don’t Beware, The Ives of March: First Edition.” The Morning Call, March 15, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Blankert, Beppie, choreographer
Year: 1993
Complete Citation:
Beppie Blankert, choreographer. Charles Ives Trilogy (1993); ballet. Based on the life of Charles Ives. Volume 1. “Charles." Music: songs, piano works, and violin sonatas. Volume 2. "Ives."Music: large ensemble music. For 13 musicians; Rutger van Leyden, director. Volume 3. “Dance Concert.” Music: Holidays Symphony; Serenity.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Blasch, Robert
Year: 1991
Complete Citation:
Blasch, Robert. “Charles Ives: Study No. 20.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
B. Chamber Works
Blassnigg, Katharina
Year: 2008
Complete Citation:
Blassnigg, Katharina. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Leonardo, vol. 42, no. 1 (2009): 78-80.Source: Book
III. Book-Length Studies
C. Book Reviews
Blaufuss, Margaret Joanna
Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Blim, Dan
Year: 2013
Complete Citation:
Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Blitzenstein, Marc
Year: 1936
Complete Citation:
Blitzenstein, Marc. “Les Jeunes Americains dans la Musique.” La Revue Musicale 163, February 1936, 145.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Blitzstein, Marc
Year: 1932
Complete Citation:
Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Year: 1932
Complete Citation:
Blitzstein, Marc. “Review of ‘In the Night’ (Pan American Concert, New York, February 16, 1932).” Modern Music 9/3 (March, 1932).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings