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Bibliography

Ashley, Dottie

Year: 2008
Complete Citation:
Ashley, Dottie. “CSO Concertmaster to Perform Solo.” The Post and Courier (Charleston, SC), November 9, 2008, H2.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances

Ashley, Roberta

Year: 1965
Complete Citation:
Ashley, Roberta. “Ballet Goes Pop: Look what the Stately San Francisco Ballet is Up To.” The Sun, April 11, 1965, WM11.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ashley, Tim

Year: 1999
Complete Citation:
Ashley, Tim. “Miscellany: Reviews: Prom: All Nature in Sound Ives Premiere/ Philharmonia Royal Albert Hall (Recommended).” The Guardian, August 19, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Asia, Daniel

Year: 2013
Complete Citation:
Asia, Daniel. “Copland—Music and Imagination: A Review and Commentary.” Academic Questions 26, no. 2 (Summer 2013): 212-219.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Asmodo, Joe

Year: 1991
Complete Citation:
Asmodo, Joe. “Charles Ives: Komponist als Zweitberuf oder National- held mit Hindernissen.” AbraHadAbra: Das Magazin des Neuen Aons 4/8 (August 1991): 52-54.
Source: Magazine
VI. Topical Studies
L. Ives and America

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Auerbach, Brent

Year: 2009
Complete Citation:
Auerbach, Brent. “Guide to Records - Ives: Piano Sonata 1; McDonald: “Meditation Before a Sonata: Dew Cloth, Dream Drapery”; Nielsen: Suite, Op 45.” American Record Guide, Vol. 72, No. 6 (2009): 124-125.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Auerbach, Brent. “Responses to Ives.” American Record Guide, Vol. 73, No. 4 (2010): 228-229.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Auner, Joseph Henry

Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.
Source: Chapter in Book
Reprints:

Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Austin, Larry and W. Zimmermann

Year: 1981
Complete Citation:
Austin, Larry and W. Zimmermann. “Interview mit W. Zimmermann.” Insel-Musik, Köln (1981): 404-407.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Austin, William

Year: 1971
Complete Citation:
Austin, William. “Ives and Histories.” In Bericht über den internationalen musikwissenschaftlichen Kongress Bonn 1970, edited by Carl Dahlhaus et al., 299-303. Kassel, Germany: Barenreiter, 1971.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Austin, William F.

Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Austin, William W.

Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Austin, William W. “Contemporaries in America, Australia, Japan.” In Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Austin, William W. “Studies of Music in the Twentieth Century.” The Journal of Musicology, vol. 1, no. 1 (1982): 63-66.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Austin, William W. “Susanna,” “Jeanie,” and “The Old Folks at Home”: The Songs of Stephen C. Foster from His Time to Ours. 2nd ed. Urbana, IL: University of Illinois Press, 1987.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers