Bibliography

Barnes, Clive

Year: 1966

Complete Citation:

Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.

Source: Newspaper

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Barns, Greg

Year: 2003

Complete Citation:

Barns, Greg. “SOUNDS: 1 Edition.” Mercury, August 30, 2003.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Barnettt, Christina Powers

Year: 1986

Complete Citation:

Barnettt, Christina Powers. “Charles Ives: 114 Songs and Transcendental Philosophy.” D.M.A. Dissertation, University of Texas at Austin, 1986.

Source: D.M.A. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Barnick, Jens

Year: 2004

Complete Citation:

Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

Source: Chapter in Book

IV. Individual Studies by Genre
E. Songs

Baron, C. K.

Year: 2000

Complete Citation:

Baron, C. K. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Journal of the American Musicological Society, Vol. 53, No. 2 (2000): 437-444.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Baron, Carol

Year: 1994

Complete Citation:

Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.

Source: Chapter in Book

Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 1991

Complete Citation:

Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.

Source: Conference paper

VI. Topical Studies
A. Transcendentalism or Philosophy

Year: 1992

Complete Citation:

Baron, Carol K. “George Ives’s Essay in Music Theory: An Introduction and Annotated Edition.” American Music 10/3 (Fall 1992): 239-288.

Source: Journal

II. Reference Materials
F. Selected Archival Materials

Year: 1992

Complete Citation:

Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 1993

Complete Citation:

Baron, Carol K. “In the Premises, What Would He Do?: Charles Ives’s Challenge to Conservative Critics.” Paper presented at International Kongress der Gesellschaft für Musikforschung. Freiburg, Germany, September, 1993.

Source: Conference paper

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1993

Complete Citation:

Baron, Carol K. “At The Cutting Edge: Three American Theorists at The End of The Nineteenth Century.” International Journal of Musicology, vol. 2 (1993): 193-247.

Source: Journal

VI. Topical Studies
N. Ives’ Childhood

Year: 1994

Complete Citation:

Baron, Carol K. “What Motivated Charles Ives’s Search for Time Past?” The Musical Quarterly 78, no. 2 (Summer 1994): 206-219.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1994

Complete Citation:

Baron, Carol K. “What Motivated Charles Ives's Search for Time Past.” Musical Quarterly 78/2 (1994): 206-219.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1996

Complete Citation:

Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.

Source: Journal

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 1998

Complete Citation:

Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.

Source: Lecture

VI. Topical Studies
G. Music Theory Analyses

Year: 2000

Complete Citation:

Baron, Carol K. “New Ives Sources.” Institute for Studies in American Music Newsletter 29/2 (Spring 2000).

Source: Journal

II. Reference Materials
F. Selected Archival Materials

Year: 2001

Complete Citation:

Baron, Carol K. Journal of the American Musicological Society 54/2 (Summer 2001): 424-428.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 2002

Complete Citation:

Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.

Source: Conference paper

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 2002

Complete Citation:

Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.

Source: Conference paper

IV. Individual Studies by Genre
A. Orchestral and Band Works

Year: 2003

Complete Citation:

Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bibliography

Genres

Barnes, Clive

Barns, Greg

Barnettt, Christina Powers

Barnick, Jens

Baron, C. K.

Baron, Carol

Baron, Carol K.