Discography

About

The first comprehensive Charles Ives discography, compiled by Richard Warren, was published in 1972. In the decades following, Warren, along with staff of the Yale Collection of Historical Sound Recordings, continued documenting newly released recordings of Ives’ music. With support from the Charles Ives Society, Kevin Sherwin completed compiling the discography to include recordings until 2019, and Nicholas Brewer edited and facilitated its online publication and search functions.

This online discography is a comprehensive and searchable list, presented in order of the table of contents listed below. For each composition, recordings are listed in chronological order. The table of contents is based on the structure of James Sinclair’s A Descriptive Catalogue of the Music of Charles Ives, which reflects the current catalogue of recordings of Charles Ives’ music. For more detailed explanations of the discography’s compilation and use of this website, please see the above links to the Preface and Usage Guide.

Table of Contents
I. Orchestra Music
i. Symphonies
ii. Other music for symphony orchestra
iii. Music for chamber or theatre orchestra
iv. Music for band
II. Chamber Music
i. String quartets
ii. Music for various combinations
iii. Sonatas for violin and piano
III. Keyboard Music
i. Piano sonatas
ii. Other music for piano
iii. Piano duets
iv. Organ music
IV. Choral Music
i. Cantata
ii. Other music for chorus and orchestra
iii. Sacred choral music
iv. Secular partsongs
V. Songs
i. A-E
ii. F-L
iii. M-R
iv. S-V
v. W-Y

Featured Recordings - World Premieres, First Recordings, and First Broadcasts

A SET OF THREE SHORT PIECES; i.LARGO CANTABILE;...
A SET OF THREE SHORT PIECES; i.LARGO CANTABILE; ii. SCHERZO; iii. ADAGIO CANTABILE (II-B-16) (84)

Recorded from broadcast of WABC, New York
i. See also HYMN; (i. only)
Notes on the Recording:
Announced as the first broadcast of any Ives composition (March 14, 1938), Ives’ Largo for Strings is performed by the Columbia Chamber Orchestra, conducted by early Ives champion Bernard Herrmann. The orchestra plays the lyrical lines of the composition with noticeable intensity, especially at moments of harmonic dissonance. As well, the ensemble occasionally speeds up and slows down the tempo to heighten the expressive effects of the music.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442293
Recording Date/Location:
March 14, 1938 (broadcast date) , New York City, NY
Performing Artists:
Columbia Chamber Orchestra; Bernard Herrmann, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371200, 78 RPM Test Pressing.
A SYMPHONY: "NEW ENGLAND HOLIDAYS": i....
A SYMPHONY: "NEW ENGLAND HOLIDAYS": i. WASHINGTON'S BIRTHDAY; ii. DECORATION DAY; iii. THE FOURTH OF JULY; iv. THANKSGIVING (Text: O God! beneath Thy guiding hand . . .) (I-A-4) (5 (5i., 5ii., 5iii, 5iv.))
Text by Leonard Bacon
Recorded during a performance of the work in Washington, CT; (i., only)

Notes on the Recording:
This early Ives recording includes an excerpt from Washington’s Birthday, which begins at the Allegro at measure 56. Jo Hawthorne conducts the Cape Cod Symphony Society in an interpretation that highlights the folk-like atmosphere of the music. The orchestra plays with a graceful sense of rhythmic drive, frequently bringing out the quoted traditional melodies over the surrounding dissonant textures.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442451
Recording Date/Location:
August 22, 1941
Performing Artists:
Cape Cod Symphony Society; Jo Hawthorne, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370806, 1/4 inch sound tape reel.
BERCEUSE (O'er the mountain toward the West...
BERCEUSE (O'er the mountain toward the West . . .) (VI-B-41-d) (220)
Text by the composer
Recorded from WNYC broadcast

Notes on the Recording:
The Works Progress Administration sponsored numerous radio broadcasts featuring American music, describing Charles Ives as “among the most original and extraordinary composers of America.” This program includes a live recital featuring Gretchen Gantvoort, soprano and Thomas Weil, piano, performing Ives’ “Berceuse.” In this early Ives recording, the listener can hear slight pauses in Gantvoort’s singing, which create moments of suspense and emphasis within her delivery of the text. As well, she sings with a notably wide dynamic range, as well as a quick, narrow vibrato throughout the piece.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442235
Recording Date/Location:
September 28, 1939, WPA Community Building, The World's Fair, NYC.
Performing Artists:
Gretchen Gantvoort, soprano; Thomas Weil, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371572, 78 RPM Test Pressing.
QUARTET, STRINGS, NO. 1: FROM THE SALVATION ARMY...
QUARTET, STRINGS, NO. 1: FROM THE SALVATION ARMY; i. CHORALE (later this movement was included in SYMPHONY NO. 4 and the other movements were renumbered); ii. PRELUDE; iii. OFFERTORY; iv. POSTLUDE (II-A-1) (57)

Recorded from WABC broadcast; (I & ii, arranged for string orchestra by Bernard Herrmann). Recorded from WABC broadcast. (ii & iii, arranged for string orchestra by Bernard Herrmann)

Notes on the Recording:
The String Quartet No. 1 is included in this radio broadcast from the 1940s, performed by members of the Columbia Concert Orchestra, conducted by early Ives champion, Bernard Herrmann. This performance of the quartet was also arranged for string orchestra by Herrmann. The recording displays spirited, rhythmical, and expressive playing throughout the movements. To match the musical contrasts over the course of the piece, the orchestra alternates between lyrical and articulate phrasing styles.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442452 , https://archives.yale.edu/repositories/6/archival_objects/2442453
Recording Date/Location:
March 16, 1943, New York City, NY.
Performing Artists:
Columbia Concert Orchestra; Bernard Herrmann, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370814, 1/4 inch sound tape reel. Yale Charles Ives Non-Commercial Sound Recordings 39002038370822, 1/4 inch sound tape reel.
SET FOR THEATRE ORCHESTRA; i. IN THE CAGE; ii. IN...
SET FOR THEATRE ORCHESTRA; i. IN THE CAGE; ii. IN THE INN; iii. IN THE NIGHT (I-C-28) (20)

Recorded from broadcast of WABC, New York. (i. & iii. only)
i. see also THE CAGE; ii. see also SONATA, PIANO, NO. 1: ii/b
Notes on the Recording:
“In the Cage” and “In the Night” are included in this radio broadcast from the 1940s, performed by the Eastman Symphony, with Frederick Fennell conducting. To introduce Ives, the broadcaster says, “one is often startled to observe that the spirit of modernity is not necessarily the exclusive property of the young. The desire to break from tradition is a personal rather than a temporal characteristic… It is only at the present time that his [Ives’] compositions are meeting with general understanding.” In this early recording of Ives’ music, the orchestra plays with dark timbres along with a winding sense of pulse. Notably, the orchestra does not emphasize the complexity of the rhythms and metric changes. Rather, they create a continuous sound and blended rhythmic texture to evoke a haunting musical atmosphere.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442452
Recording Date/Location:
November 11, 1941, New York City, NY
Performing Artists:
Eastman School of Music Orchestra; Frederick Fennell, conductor
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370814, 1/4 inch sound tape reel.
SONATA, VIOLIN & PIANO, NO. 3
SONATA, VIOLIN & PIANO, NO. 3 (II-C-6) (62)

Recorded from broadcast of WOR, New York (these artists performed the work in recitals in New York City November 11, 1946 & April 29, 1948).

Notes on the Recording:
The three movements of Ives’ Third Sonata for Violin & Piano are included on this ca. 1948 radio program of the Mutual Broadcasting System. Violinist Madeleine Carabo and pianist Carol Robinson offer a virtuosic interpretation, with detailed attention to Ives’ expressive indications in the score. Their playing ranges from lyrical to forceful, shifting with the numerous moods of the sonata.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442472
Recording Date/Location:
ca. 1948, New York City, NY.
Performing Artists:
Madeleine Carabo, violin; Carol Robinson, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038370871, 1/4 inch sound tape reel.
THE SIDE SHOW (Is that Mr. Reilly . . .)
THE SIDE SHOW (Is that Mr. Reilly . . .) (VI-B-66) (348)
Text by the composer, quoting Pat Rooney
Recorded from broadcast of WNYC of recital.

Notes on the Recording:
The Works Progress Administration sponsored numerous radio broadcasts featuring American music, describing Charles Ives as “among the most original and extraordinary composers of America.” This program includes a live recital featuring Gretchen Gantvoort, soprano and Thomas Weil, piano, performing Ives’ “The Side Show.” In this early Ives recording, Gantvoort sings with frequently short, speech-like articulations and a very free sense of pulse. The pianist, Thomas Weil, matches Gantvoort, which articulate and rhythmical playing. Together, these expressive aspects create a feeling of spontaneity and story-telling, complementing the nature of the song’s text.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442235
Recording Date/Location:
September 28, 1939, WPA Community Building Theatre, The World's Fair, New York City, NY
Performing Artists:
Gretchen Gantvoort, soprano; Thomas Weil, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371572, 78 RPM Test Pressing.
THE WORLD'S HIGHWAY (For long I wander'...
THE WORLD'S HIGHWAY (For long I wander'd happily . . .) (VI-B-42-c) (397)
Text by Harmony Twichell Ives
Broadcast of WNYC

Notes on the Recording:
The Works Progress Administration sponsored numerous radio broadcasts featuring American music, describing Charles Ives as “among the most original and extraordinary composers of America.” This program includes a live recital featuring Gretchen Gantvoort, soprano and Thomas Weil, piano, performing Ives’ “The World’s Highway.” In this early Ives recording, Gantvoort sings with nuanced vocal phrasings that include a flexibility of pulse to complement the musical gestures of the composition. Strikingly, both Gantvoort and pianist Thomas Weil coordinate various immediate fluctuations in dynamics, which highlight the corresponding moments of the text.
External Links:

Streaming access to sound recordings in this collection is available when connected to the Yale University network, or otherwise by request. To request access to this recording, email musicspecialcollections@yale.edu.

https://archives.yale.edu/repositories/6/archival_objects/2442235
Recording Date/Location:
September 28, 1939, WPA Community Building Theatre, The World's Fair, New York City, NY.
Performing Artists:
Gretchen Gantvoort, soprano; Thomas Weil, piano
Record Label, Release Number, Format, Release Year:
Yale Charles Ives Non-Commercial Sound Recordings 39002038371572, 78 RPM Test Pressing.

Recordings

Search pieces, artists, dates, locations, record label, release number/format/year, text by, and additional notes

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Recording Date/Location Performing Artists Record Label, Release Number, Format, Release Year Album Names Additional Recording Notes
II. Chamber Music
iii. Sonatas for violin and piano
SONATA, VIOLIN & PIANO, NO. 1 (II-C-4) (60)
iii. see also SYMPHONY NO. 4: i. WATCHMAN
December 21-22, 2001 and June 23-24, 2003, Philipszaal, Eindhoven, The Netherlands. Heleen Hulst, violin; Gerard Bouwhuis, piano BVHAAST 1305/1405, CD (2005). Charles Ives: 5 Sonatas for Violin and Piano
July 13-15, 2004, Queen's College, Lefrak Hall, New York City, NY. Lisa Tipton, violin; Adrienne Kim, piano Capstone CPS-8760, CD (2005). Hammers & Strings: The Sonatas for Violin & Piano
2011, Clubhouse Studios, Rhinebeck, New York Hilary Hahn, violin; Valentina Lisitsa, piano Deutsche Grammophon 00289 477 9435, CD (2011). Charles Ives: Four Sonatas
January 2016, Brussels, Belgium Annabelle Berthomé-Reynolds, violin; Dirk Herten, piano White Label 9789491980398, CD (2016). Charles E. Ives: Con Slugarocko - Sonatas for Violin and Piano Nos. 1-4
SONATA, VIOLIN & PIANO, NO. 2 (II-C-5) (61)
iii. see also SYMPHONY NO. 4: i. WATCHMAN
ca. March 18, 1924, probably New York City, NY. Jerome Goldstein, violin; Rex Tillson, piano Private record with handwritten label (Matrix numbers: 407; 406), 78 rpm (acoustical, 10") (ii. & iii. only); This is the earliest recording known of a work by Ives;
Early 1940s, Los Angeles, CA. Sol Babitz, violin; Ingolf Dahl, piano in Alco set AR101 (sides AR1013; AR1014; Matrix numbers: B2149; B2150) 78 rpm (ca. 1947). Ives Concert (ii. & iii. only)
April 17, 1950, New York City, NY. Patricia Travers, violin; Otto Herz, piano Columbia MM987 (record numbers 73179D73182D; Matrix numbers: XC043340, XCO43341, XC043342, XC043343), 78 rpm (1951). Columbia ML2169 (Matrix: FLP3443), 10-inch 33.3 RPM (1951). Sonata No 2 for Violin and Piano
Summer 1951, New York City, NY. Elliot Magaziner, violin; Frank Glazer, piano. Polymusic Records PRLP1001 (Matrix: NEOLMC41 22), 33.3 RPM (1951). The Music of Charles Ives: Volume One Recorded by Robert E. Blake
August 15-17, 1955, Fine Sound Studios, New York City, NY. Rafael Druian, violin; John Simms, piano Mercury MG5 009 7, 33.3 RPM (1956). Philips PHC9018 in set PHC2002, electronic stereo 33.3 RPM (1966). Charles Ives: Sonatas for Violin and Piano (Complete)
February 22, 1956, Sprague Mem. Hall, Yale University, New Haven, CT. Howard Boatwright, violin; John Kirkpatrick, piano. Recorded during concert
June 16-18, 1964, Judson Hall, New York City, NY. Paul Zukofsky, violin; Gilbert Kalish, piano. Recorded by David B. Hancock Folkways FM3346, 33.3 RPM (1964). Smithsonian Folkways FW03346, CD (2004). Charles Ives: The Sonatas for Violin and Piano
January 1968, Capitol Records Recording Studios, Hollywood, CA. Myron Sandler, violin; Lowndes Maury, piano Crystal S631, stereo 33.3 RPM (1970). Ives: Sonata in memory of the Korean War dead - Maury - Sonata for Violin and Piano (1943) - Copland - The Second Sonata
May 1973, Rutgers Presbyterian Church, New York City, NY Paul Zukofsky, violin; Gilbert Kalish, piano Nonesuch HB-73025, 33.3 RPM (1974). Sonatas for Violin & Piano
May 13 & 20, 1974, CBS 30th St. Studio, New York City, NY Marilyn Dubow, violin; Marsha Cheraskin Winokur, piano Musical Heritage Society MHS-3160, 33.3 RPM (1975). Sonata No. 2, for Violin and Piano - Sonata, No. 3, for Violin and Piano
October 29, 1974, Gideon F. Egner Memorial Chapel, Muhlenberg College, Allentown, Pennsylvania John Kirkpatrick, pianist and lecturer; Daniel Stepner, violin Yale HSR W-356, CD (date of digital transfer not listed).
May 1975, Eastman School of Music, Rochester, NY Frank Glazer, piano; Millard Taylor, violin Vox SVBX-564, 33.3 RPM (1976). Charles Ives: Complete Chamber Music Vol. 1
December 18-21, 1979, (8 sessions, 2 per day), Columbia (CBS) 30th St. Studios, New York, NY Daniel Stepner, violin; John Kirkpatrick, piano Musical Heritage Society 824501, 33.3 RPM (1981). Music Masters 20056-7 (1982). Musical Heritage Society 424501T, CD (1992). Musical Heritage Society 5291876, CD (2009). Charles Ives: Five Violin Sonatas
1989 Martin Mumelter, violin; Herman Henck, piano Edition Michael Frauenlob Bauer MFB 011-012, 33.3 RPM (1989). Charles Ives: Die vier Sonaten für Violine und Klavier - Largo für Violine und Klavier
ca. 1991 Gregory Fulkerson, violin; Robert Shannon, piano BRIDGE 9024A/B, CD (1991). Charles Ives: The Sonatas for Violin and Piano
ca. 1991, Newton County High School Auditorium, Covington, GA. Alexander Ross, Violin; Richard Zimdars, piano Bay Cities BCD 1026, CD (1991). Charles Ives: The Four Violin Sonatas
1994, Cedar House Sound and Mastering, North Sutton, NH. The Upper Valley Duo: Tim Schwarz, violin; Dan Weiser, piano Marquis Classics ERAD-179, CD (1996). An American Affair
July 9-10, 1995, Recital Hall, State University of New York, Purchase, NY. Glenn Dicterow, violin; Israela Margalit, piano EMI 7243 5 55406, CD (1996). EMI 50999 2 34450 2 4, CD (2008). Warner Classics 2344502, CD (2008). Charles Ives: Songs, Piano Trio, Violin Sonata Nos. 2 & 4.
December 1995, Tonstudio van Geest, Sandhausen, Germany. Hansheinz Schneeberger, violin; Daniel Cholette, piano ECM Records ECM-1605, CD (1999). ECM New Series ECM4499562, CD (2008). Sonatas for Violin and Piano Nos. 1-4
October 1, 1996 Nobu Wakabayashi, violin; Thomas Wise Arte Nova 74321 75495, CD (2000). Charles Ives: Gesamtwerk für Violine und Klavier: Complete Works for Violin and Piano
May 26-27, 1998, Duncan Recital Hall, Rice University Shepherd School of Music, Houston, TX. Curt Thompson, violin; Rodney Waters, piano Naxos 8.559119, CD (2003). Charles Ives: Violin Sonatas Nos. 1-4
December 21-22, 2001 and June 23-24, 2003, Philipszaal, Eindhoven, The Netherlands. Heleen Hulst, violin; Gerard Bouwhuis, piano BVHAAST 1305/1405, CD (2005). Charles Ives: 5 Sonatas for Violin and Piano
July 13-15, 2004, Queen's College, Lefrak Hall, New York City, NY. Lisa Tipton, violin; Adrienne Kim, piano Capstone CPS-8760, CD (2005). Hammers & Strings: The Sonatas for Violin & Piano
December 14-17, 2004, Burlington, Ontario, Canada Jasper Wood, violin; David Riley, piano Endeavour Classics END-1012, CD (2005). Ives: Works for Violin & Piano
ca. 2011, Clubhouse Studios, Rhinebeck, New York Hilary Hahn, violin; Valentina Lisitsa, piano Deutsche Grammophon 00289 477 9435, CD (2011). Charles Ives: Four Sonatas
ca. 2012 Lena Johnson, piano; Karl-Ove Mannberg, violin Bluebell ABCD112, CD (2012). American Visions
ca. 2015 Mark Rush, violin; Tannis Gibson, piano Equilibrium 132, CD (2015). Barnstorming
January 2016, Brussels, Belgium Annabelle Berthomé-Reynolds, violin; Dirk Herten, piano White Label 9789491980398, CD (2016). Charles E. Ives: Con Slugarocko - Sonatas for Violin and Piano Nos. 1-4
May 2016, Van Meter Auditorium, Western Kentucky University, Bowling Green, Kentucky Ching-Yi Lin, violin; Zachary Lopes, piano MSR Classics 1553, CD (2017). American Sonatas for Violin and Piano
SONATA, VIOLIN & PIANO, NO. 3 (II-C-6) (62)
ca. 1940s, Los Angeles, CA. Sol Babitz, violin; Ingolf Dahl, piano in Alco set AR101 (sides AR1013; AR1014; Matrix numbers: B2149; B2150) 78 rpm (ca. 1947). Ives Concert (these artists gave the work its West Coast premiere late in 1940)
ca. 1948, New York City, NY. Madeleine Carabo, violin; Carol Robinson, piano Yale Charles Ives Non-Commercial Sound Recordings 39002038370871, 1/4 inch sound tape reel. Recorded from broadcast of WOR, New York (these artists performed the work in recitals in New York City November 11, 1946 & April 29, 1948).
September 1951, Greenough Studio, New York City, NY. Joan Field, violin; Leopold Mittman, piano Lyrichord LL17, 33.3 RPM (1951). Charles Ives: Sonatas #1 and #3
August 15-17, 1955, Fine Sound Studios, New York City, NY. Rafael Druian, violin; John Simms, piano Mercury MG5 0097, 33.3 RPM (1956). Philips PHC9019 in set PHC2002, electronic stereo 33.3 RPM (1966). Sonata No. 2 for Violin and Piano
June 16-18, 1964, Judson Hall, New York City, NY. Paul Zukofsky, violin; Gilbert Kalish, piano. Recorded by David B. Hancock Folkways FM3347, 33.3 RPM (1964). Smithsonian Folkways FW03347, CD (2004). Charles Ives: The Sonatas for Violin and Piano
May 1973, Rutgers Presbyterian Church, New York City, NY Paul Zukofsky, violin; Gilbert Kalish, piano Nonesuch HB-73025, 33.3 RPM (1974). Sonatas for Violin & Piano
May 13 & 20, 1974, CBS 30th St. Studio, New York City, NY Marilyn Dubow, violin; Marsha Cheraskin Winokur, piano Musical Heritage Society MHS-3160, 33.3 RPM (1975). Sonata No. 2, for Violin and Piano - Sonata, No. 3, for Violin and Piano
October 29, 1974, Gideon F. Egner Memorial Chapel, Muhlenberg College, Allentown, Pennsylvania Daniel Stepner, violin; John Kirkpatrick, piano Yale HSR W-356, CD (date of digital transfer not listed).
May 1975, Eastman School of Music, Rochester, NY Frank Glazer, piano; Millard Taylor, violin; Alan Harris, cello Vox SVBX-564, 33.3 RPM (1976). Charles Ives: Complete Chamber Music Vol. 1
December 18-21, 1979, (8 sessions, 2 per day), Columbia (CBS) 30th St. Studios, New York, NY Daniel Stepner, violin; John Kirkpatrick, piano Musical Heritage Society 824501, 33.3 RPM (1981). Musical Heritage Society 424501T, CD (1992). Musical Heritage Society 5291876, CD (2009). Charles Ives: Five Violin Sonatas
1989 Martin Mumelter, violin; Herman Henck, piano Edition Michael Frauenlob Bauer MFB 011-012, 33.3 RPM (1989). Charles Ives: Die vier Sonaten für Violine und Klavier - Largo für Violine und Klavier
1991 Gregory Fulkerson, violin; Robert Shannon, piano BRIDGE 9024A/B, CD (1991). Charles Ives: The Sonatas for Violin and Piano
ca. 1991, Newton County High School Auditorium, Covington, GA. Alexander Ross, Violin; Richard Zimdars, piano Bay Cities BCD 1026, CD (1991). Charles Ives: The Four Violin Sonatas
August 1, 1994, Electronic Music Studio, School of Music, University of Illinois Champagne-Urbana, IL. Tim Lane, flute; Barbara Wimunc-Pearson, piano Zuma Records ZMA-104, CD (1994). Shards of Glass: Romantic 20th Century Flute Music (transcribed for flute by Tim Lane)
April 1994, the Academy of Arts & Letters, New York City, NY. Todd Palmer, clarinet; Carol Archer, piano Koch 3-7148-2H1, CD (1995). Hermit Songs
November 21, 1995 Nobu Wakabayashi, violin; Thomas Wise, piano. Arte Nova 74321 75495, CD (2000). Charles Ives: Gesamtwerk für Violine und Klavier: Complete Works for Violin and Piano
December 1995, Tonstudio van Geest, Sandhausen, Germany Hansheinz Schneeberger, violin; Daniel Cholette, piano ECM Records ECM-1605, CD (1999). ECM New Series ECM4499562, CD (2008). Charles Ives: Sonatas for Violin and Piano

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