About
The first comprehensive Charles Ives discography, compiled by Richard Warren, was published in 1972. In the decades following, Warren, along with staff of the Yale Collection of Historical Sound Recordings, continued documenting newly released recordings of Ives’ music. With support from the Charles Ives Society, Kevin Sherwin completed compiling the discography to include recordings until 2019, and Nicholas Brewer edited and facilitated its online publication and search functions.
This online discography is a comprehensive and searchable list, presented in order of the table of contents listed below. For each composition, recordings are listed in chronological order. The table of contents is based on the structure of James Sinclair’s A Descriptive Catalogue of the Music of Charles Ives, which reflects the current catalogue of recordings of Charles Ives’ music. For more detailed explanations of the discography’s compilation and use of this website, please see the above links to the Preface and Usage Guide.
Table of Contents
All Recordings
III. Keyboard Music
ii. Other music for piano
| Recording Date/Location | Performing Artists | Record Label, Release Number, Format, Release Year | Album Names | Additional Recording Notes |
|---|---|---|---|---|
| March 30, 1994, Paine Hall, Harvard University, Cambridge, MA | Donald Berman, piano | CRI CD-811, CD (1999). | The Unknown Ives | (#16/19, #20., #23.) |
| ca. 1996, Steurbaut Sound Recording Centre, Ghent, Belgium | Daan Vandewalle, piano | René Gailly CD-87078, CD (1996). | Charles E. Ives: Second Piano Sonata “Concord": Studies No. 22 - 23 - 9 - 21 | (#9, 21, 22, 23) |
| ca. 1996, Steurbaut Sound Recording Centre, Ghent, Belgium | Daan Vandewalle, piano | René Gailly CD-87078, CD (1996). | Charles E. Ives: Second Piano Sonata “Concord": Studies No. 22 - 23 - 9 - 21 | (#9, 21, 22, 23) |
| April 17-19, 1997, "Executive Studio," Naples, Italy | Francesco Caramiello, piano | Agorá AG-182, CD (1999). | American Piano Music: Elliott Carter, Charles E. Ives, Aaron Copland | (#22., #23.) |
| April 17-19, 1997, "Executive Studio," Naples, Italy | Francesco Caramiello, piano | Agorá AG-182, CD (1999). | American Piano Music: Elliott Carter, Charles E. Ives, Aaron Copland | (#22., #23.) |
| May 18, 1997, Paine Hall, Harvard University, Cambridge, MA | Donald Berman, piano | CRI CD-811, CD (1999). | The Unknown Ives | (#6., #7., #8., #9., #15., #21., #22.) |
| May 18, 1997, Paine Hall, Harvard University, Cambridge, MA | Donald Berman, piano | CRI CD-811, CD (1999). | The Unknown Ives | (#6., #7., #8., #9., #15., #21., #22.) |
| June 29-30, July 30, and November 23, 1999, Recital Hall of the Performing Arts Center, SUNY Purchase, NY. | Anthony de Mare, piano | CRI CD-837, CD (2000). | Wizards and Wildmen | (# 22.) |
| June 29-30, July 30, and November 23, 1999, Recital Hall of the Performing Arts Center, SUNY Purchase, NY. | Anthony de Mare, piano | CRI CD-837, CD (2000). | Wizards and Wildmen | (# 22.) |
| ca. 2001 | Jay Gottlieb, piano | Pianovox PIA-542-2, CD (2001). | Charles Ives - Jay Gottlieb | (#9, #20) |
| ca. 2001 | Jay Gottlieb, piano | Pianovox PIA-542-2, CD (2001). | Charles Ives - Jay Gottlieb | (#9, #20) |
| ca. 2002, St. George's, Brandon Hill, Bristol, UK | Leon Michener, piano | FMR Records CD95-C0602, CD (2002). | Imaginary Landscape | (#20.) |
| ca. 2002, St. George's, Brandon Hill, Bristol, UK | Leon Michener, piano | FMR Records CD95-C0602, CD (2002). | Imaginary Landscape | (#20.) |
| ca. 2002 | Philip Mead, piano | Metier MSV CD-92037, CD (2002). | Varied Air: Charles Ives: the piano music | (#2., #9., #20., #21., #22., #23) |
| ca. 2002 | Philip Mead, piano | Metier MSV CD-92037, CD (2002). | Varied Air: Charles Ives: the piano music | (#2., #9., #20., #21., #22., #23) |
| April 8-9, 2003 (#1., #2., #5., #11.), and February 17, 2004 (#4.), Sonic Temple, Roslindale, MA | Donald Berman, piano | New World Records 80618-2, CD (2004). | The Unknown Ives: Premiere Recordings of Unpublished Works and New Critical Editions, Volume 2 | (#1., #2., #4., #5., #11.) |
| April 8-9, 2003 (#1., #2., #5., #11.), and February 17, 2004 (#4.), Sonic Temple, Roslindale, MA | Donald Berman, piano | New World Records 80618-2, CD (2004). | The Unknown Ives: Premiere Recordings of Unpublished Works and New Critical Editions, Volume 2 | (#1., #2., #4., #5., #11.) |
| January 19-20, 2008, Deutschlandfunk Kammermusiksaal, Köln, Germany | Heather O'Donnell, piano | Mode 211, CD (2009). | Responses to Ives | (#9, #21) |
| January 19-20, 2008, Deutschlandfunk Kammermusiksaal, Köln, Germany | Heather O'Donnell, piano | Mode 211, CD (2009). | Responses to Ives | (#9, #21) |
| ca. 2011 | Marino Formenti, piano | Col Legno WWE1CD20299, CD (2011). | Night Studies: For the installation "Expressive Rhythm" by Florian Pumhösl after Charles Ives and Alexander Rodchenken | (#11.) |
| ca. 2011 | Marino Formenti, piano | Col Legno WWE1CD20299, CD (2011). | Night Studies: For the installation "Expressive Rhythm" by Florian Pumhösl after Charles Ives and Alexander Rodchenken | (#11.) |
| 2014, Radiostudio Zürich | Stefan Wirth, piano | Genuin Classics 15342 (2015). | Etudes and Studies: Works by Szymanowski, Ligeti, Ives and Wirth | (#20, #21, #22, #23) |
| 2014, Radiostudio Zürich | Stefan Wirth, piano | Genuin Classics 15342 (2015). | Etudes and Studies: Works by Szymanowski, Ligeti, Ives and Wirth | (#20, #21, #22, #23) |