Schubert, Giselher
Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.Source: Program Book for Festival
VI. Topical Studies
L. Ives and America
Schuld, Diana Boe
Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.Source: M.A. Thesis
B. Theses
Seaton, Douglass
Year: 1991
Complete Citation:
Seaton, Douglass. “An American Original: Charles Ives.” In Ideas and styles in the Western musical tradition. Mountain View, CA: Mayfield Publishing Company, 1991.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Selch, Frederick R.
Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.Notes: In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.
Source: Journal
VI. Topical Studies
L. Ives and America
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sessions, Roger
Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.Source: Book
VI. Topical Studies
L. Ives and America
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shulman, Ivan
Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Siegmeister, Elie
Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Sly, Caroline Ware
Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Slominsky, Nicholas
Year: 1955
Complete Citation:
Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.Source: Journal
Reprints: Slominsky, Nicholas. “Charles Ives—America’s Musical Prophet.” <i>Pan Pipes </i>47: 20 (January 1955).
VI. Topical Studies
L. Ives and America
Slonimsky, Nicolas
Year: 1952
Complete Citation:
Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.Source: Journal/Conference?
VI. Topical Studies
L. Ives and America
So, Carolyn U.
Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sonntag, Dawn Lenore
Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stace, Stephen
Year: 1974
Complete Citation:
Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Staebler, Roger Allen
Year: 1959
Complete Citation:
Staebler, Roger Allen. “Charles Ives: An Evaluation of His Aesthetic Philosophy.” M.M. thesis, University of Cincinnati, 1959.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stavridis, Katherine
Year: 1981
Complete Citation:
Stavridis, Katherine. “Charles E. Ives: an American composer: a study of his music.” M.M. thesis, University of Melbourne, 1981.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Steinbrink, Lisa Yvonne
Year: 1989
Complete Citation:
Steinbrink, Lisa Yvonne. “Charles Edward Ives: his relationship to other composers, his general composition techniques, and an analaysis[sic] of the second string quartet.” M.M. thesis, University of Colorado, 1989.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stieglitz-Goffre, Anne-Marie
Year: 1982
Complete Citation:
Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.Source: ?
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses