Image
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.
Bibliography
Genres
Roeder, Matthew James
Year: 2005
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rogers, H.
Year: 1956
Complete Citation:
Rogers, H. “Four Violin-Piano Sonatas; ‘Der Jasager’: Recordings.” The Christian Science Monitor, April 3, 1956, 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Roller, Jonathan Brian
Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rosenblum, Joshua
Year: 2001
Complete Citation:
Rosenblum, Joshua. “Ives: Sets for Small Orchestra, Songs.” Opera News, Vol. 66, No. 4 (2001): 53-54.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2004
Complete Citation:
Rosenblum, Joshua. “Recordings: Choral and Song: Ives: “Songs: Concord Sonata.”” Opera News, Vol. 69, No. 2 (2004): 70.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Rossiter, Frank R.
Year: 1970
Complete Citation:
Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rothstein, Evan
Year: 2001
Complete Citation:
Rothstein, Evan. “‘What Its Signs of Promise Are’: The tradition of developing variation and the problem of “folkloristic” music in Ives’s First violin sonata. D. Mus. thesis, Indiana University, 2001.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ruhleder, Kathleen
Year: 2012
Complete Citation:
Ruhleder, Kathleen. “Art Songs of Charles Ives Accessible to Beginning Singers.” D.M.A. diss., Arizona State University, 2012.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rycenga, Joanne
Year: 1992
Complete Citation:
Rycenga, Jennifer Joanne. “The Composer as a Religious Person in the Context of Pluralism.” Ph.D. diss., Graduate Theological Union, 1992.Notes:
Compares Ives’s Transcendentalist philosophy with his compositional materials.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rydberg, Göran
Year: 1998
Complete Citation:
Rydberg, Göran. P2-tips: Egendomlig Satie och universell Ives. Musik: Tidningen för Klassiskt, Folkmusik och Jazz, No. 4 (1998): 11.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Rye, Matthew
Year: 2003
Complete Citation:
Rye, Matthew. “CDs Classical: 3.” Daily Telegraph (London, England), July 5, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sadoff, Ronald
Year: 1986
Complete Citation:
Sadoff, Ronald. “The Solo Piano Music of Charles Ives: A Performance Guide.” Ph.D. diss., New York University, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Sahr, Hadassah Gallup
Year: 1969
Complete Citation:
Sahr, Hadassah Gallup. “Performance and analytic study of selected piano music by American composers.” Ed.D. diss., Columbia University, 1969.Source: Ed. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Salzman, Eric
Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once.” The New York Times. May 27, 1962, sec. 2, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews