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Bibliography

Abott, Reverend Jacob

Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.
Source: Literary References
Reprints:

"Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.

XIII. Ives in Literature
B. Fiction

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Glöckler, Ralph Roger

Year: 2012
Complete Citation:
Glöckler, Ralph Roger. Mr. Ives und die Vettern vierten Grades: Roman. Berlin, Germany: Elfenbein, 2012.
Source: Book
XIII. Ives in Literature
B. Fiction

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Igoa, Enrique

Year: 2004
Complete Citation:
Igoa, Enrique. “Charles Ives: Los Escritos Musicales.” Scherzo: Revista de Música, Vol. 19 (2004): 116-119.
Source: Magazine
I. Ives as Author

Isham, Howard

Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.
Source: Journal
VI. Topical Studies
I. Compositional Process

Ives, Charles

Complete Citation:
“How to Read a Rate Book.” New York, NY: Ives and Myrick.
Source: Pamphlet
I. Ives as Author
Complete Citation:
Ives, Charles. “A Song of Mory’s.” The Yale Courant XXXIII, February Fourth Week 1897, 280-281.
Notes:

Words by Charles Edmund Merrill, Jr.

Source: Magazine
I. Ives as Author
Complete Citation:
“A Short Story for Summer Reading.” Ives and Myrick Bulletins (July- September).
Source: Company Bulletin
I. Ives as Author
Complete Citation:
Ives, Charles. The Minimum and the Maximum. New York, NY: Ives and Myrick.
Notes:

Eleven-page booklet.

Source: Pamphlet
I. Ives as Author
Year: 1896
Complete Citation:
Ives, Charles. “A Scotch Lullaby.” The Yale Courant XXXIII, December Third Week, 1896, 125-27.
Notes:

Words by Charles Edmund Merrill, Jr.

Source: Magazine
I. Ives as Author
Year: 1896
Complete Citation:
Ives, Charles. William Will: A Republican Campaign Song. New York, New York: Willis Woodward & Co., 1896.
Notes:

Words by S.B. Hill

Source: Musical Score
I. Ives as Author
Year: 1910
Complete Citation:
Ives, Charles. “Life Insurance: The Amount to Carry, and How to Carry It.” New York, NY: Ives and Myrick.
Notes:

Different from the 1920 article and the 1920 and 1922 pamphlet reprints.

Source: Pamphlet
I. Ives as Author
Year: 1916
Complete Citation:
Ives, Charles. “The Minimum and the Maximum.” New York, NY: Ives and Myrick.
Notes:

Eleven-page booklet.

Source: Pamphlet
I. Ives as Author
Year: 1916
Complete Citation:
Ives, Charles. “Letter to the Editor.” The Evening Post (New York, NY), December 4, 1916, 8.
Notes:

Signed “Fundamental”

Source: Newspaper
I. Ives as Author
Year: 1917
Complete Citation:
Ives, Charles. “Stand by the President and the People.” In Essays Before a Sonata, The Majority, and Other Writings by Charles Ives, edited by Howard Boatwright, 134-138. New York, NY: W.W. Norton, 1970.
Notes:

Dated August 6, 1917.

Source: Chapter in Book
I. Ives as Author
Year: 1918
Complete Citation:
Ives, Charles. “A People's World Nation.” In Essays Before a Sonata, The Majority, and Other Writings by Charles Ives, edited by Howard Boatwright, 225-231. New York, NY: W.W. Norton, 1970.
Notes:

1918, additions in early 1940s. Regarding a ruling agency of the world governed by the people rather than politicians.

Source: Chapter in Book
I. Ives as Author