Image
Complete Citation:
Seeger, Charles. “Charles Ives and Carl Ruggles.” Magazine of Art 32 (July 1939): 396-399, 435-437.
Bibliography
Genres
Seeger, Charles
Year: 1939
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Seeger, Charles. “Henry Cowell.” Magazine of Art 33 (May 1940): 288-89, 322-25, 327.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Selch, Frederick R.
Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.Notes:
In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Semler, Isabella Parker
Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serebrier, José
Year: 1975
Complete Citation:
Serebrier, José. “The ‘Unplayable’ Fourth Symphony of Ives.” American Music Teacher, vol. 24, no. 3, (1975): 8-10.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI: Many Worlds of Music 4 (1984): 36-37.Notes:
Reminisces about the premiere and subsequent perfor-mances of Symphony No. 4.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Serebrier, Jose
Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serio, John N.
Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sessions, Roger
Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Shepherd, Arthur
Year: 1953
Complete Citation:
Shepherd, Arthur. “American Orchestral Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 1-14. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Sherman, R.
Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Sherwood, Gayle
Year: 1993
Complete Citation:
Gayle Sherwood. “Chronology and Style of Ives’s Choral Works.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
C. Chronology
C. Chronology
Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Shirley, Wayne
Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1989
Complete Citation:
Shirley, Wayne. “Once More through The Unanswered Question.” Institute for Stud-ies in American Music Newsletter 18/2 (May 1989): 8-9, 13.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Shirley, Wayne D.
Year: 1990
Complete Citation:
Shirley, Wayne D. ““The second of July”: a Charles Ives draft considered as an independent work.” In A Celebration of American music: words and music in honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja, 391-404. Ann Arbor: University of Michigan Press, 1990.IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1992
Complete Citation:
Shirley, Wayne D. Preface. In Charles E. Ives, The Fourth of July: Third Movement of A Symphony: New England Holidays, iii--vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.Source: Preface to score
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Shreffler, Anne
Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.Notes:
See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shreffler, Anne Chatoney
Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shultis, Christopher
Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers